I have read the book “LOVE” by Toni Morrison published in 2003. In the book, the main character Bill Cosey was the successful millionaire owner of Cosey’s Hotel and Resort, a high-end vacation spot for wealthy African Americans, mostly from the East Coast. Cosey was married twice, and his second wife, Heed, was only eleven at the time, in addition to being the best friend of Cosey’s granddaughter . The novel explains how different events in the Civil Rights Movement impacted Cosey’s businesses in the 1960s, before its eventual closing in the 1980s. The central conflict, however, is between Heed and Christine, both of whom occupy the former resort building. Each woman believes she is entitled to Cosey’s hotly contested, barely-there will because of her connection to him. The two women despise each other, and each works to gain the sole ownership of Cosey’s inheritance. Heed even hires a phony named Junior, a young offender who begins having an affair with fourteen-year-old Romen, the grandson of one of Bill Cosey’s former fishing buddies, who works for both Heed and Christine. 

The novel, at various points, introduces other women who were present in Cosey’s life. L, as the former cook at the resort, seems to have the most reasonable impression of Cosey as both a good and a bad man. The reader is also introduced to Celestial, a sex worker with whom Cosey fell in love. By the novel’s end, Heed and Christine are finally able to reconcile to an extent, largely based on a common understanding that their hatred and fighting were the result of Cosey’s moral failings. Christine remarks that both women “sold (themselves) to the highest bidder,” perhaps meaning that Cosey was an ideal they tried to please and that in doing so, each gave up her independent identity. Overall, the novel tries to examine the various meanings of love, family, and the African American experience through the lives of these female characters who all knew the same troubled yet charming myth of a man.

Morrison’s essay “Playing in the Dark” and the novel “Love” both are the terms of “Africanist presence” in the American literary imagination. “Playing in the Dark” focuses primarily on the literary imagination of European Americans and how it has been impacted by the coexistence of Africans and Europeans in this country. In particular, Morrison examines the kind of roles African American characters have been given in novels and other works not written by them, and what ends these roles have served, whether artistic or societal. “Love” continues Morrison’s project of exploring African-American history and culture.